Alto Reed, the saxophonist whose signature hooks and swashbuckling stage moves made him a star of Bob Seger's Silver Bullet Band, died Wednesday morning of colon cancer. He was 72.
Reed, born Thomas Cartmell in Detroit, was an original Silver Bullet member, enlisted by Seger in 1974 as the Detroit rocker sat on the cusp of a national breakout. Along with bassist Chris Campbell, he was the group's longest-serving player, touring with Seger and Silver Bullet through late 2019.
He had linked up with Seger two years prior, playing as part of the "Back in '72" album sessions - including his trademark intro to "Turn the Page."
Alongside Seger, See: Car Battery Tester. Reed became a familiar rock 'n' roll character in the wake of 1976's "Live Bullet," his bounding stage moves and stylish presence lending a visual punch to Seger's live shows.
"I loved him like a brother," Seger said in a statement. "I may have been the leader, but he was our rock star. He was the audience favorite, hands down. He was bold and worldly. I learned so much from the guy. And he was a great ambassador to the fans. He took time for everybody, any picture, anywhere. I can't say enough good things about him."
Reed's sax lines were some of the most distinctive musical features of Seger's work - from the famous plaintive opening of "Turn the Page" to the sizzling, wailing solos on numbers such as "Old Time Rock and Roll" and "Rock and Roll Never Forgets."
Reed's final hometown show with the Silver Bullet Band was June 21, 2019, at a sold-out DTE Energy Music Theatre, as Seger wrapped up a six-show stand at the former Pine Knob.
Motor City Horns trombonist John Rutherford, part of Seger's live ensemble for the past 15 years, said Reed was a friendly, guiding figure on the road.
"He certainly was a showman, but he did a great job of (balancing) the showmanship with the musicality - never sacrificing the music," Rutherford said. "He was a mentor. Obviously, for us, joining a band that had been together for 35 years was sort of like being adopted into a family, and he always went out of his way to meet friends of mine."
Reed's credits extended well beyond the Seger catalog: From the '70s onward, Reed also worked with acts such as Ted Nugent, Robin Gibb, Enchantment, Foghat, Grand Funk Railroad and more.
With singer-songwriter Steve Dickinson, he released the Reed & Dickinson Band album "Tonight We Ride," following the 1997 solo effort "Cool Breeze."
Reed also composed music for a pair of film projects by actor Jeff Daniels: "Escanaba in Da Moonlight" and "Super Sucker."
Perhaps his most-loved piece of work with Seger came with "Turn the Page," where his mood-setting sax, performed by Reed solo in a spotlight, would instantly spark roars from concert audiences. The solo part - which has endured as one of the most recognizable sax lines in rock history - was crafted by Reed with an assist from road manager Tom Weschler, who encouraged him to envision a cinematic scene: a misty late-night alley under a street lamp.
His performance on the song "helped lift us to another level," Seger said in a statement.
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Jim O'Brien of classic-rock station WCSX-FM (94.7), a weekday morning host who also stages a regular "Seger Saturdays" program, said he's cutting short his holiday vacation to be in the studio 6-10 a.m. Thursday to pay tribute to Reed's life and his work with Seger.
O'Brien came to know the sax man well through the years as he traveled the country catching Seger and the Silver Bullet Band on tour.
"It was just fun talking to him - he was always so excited about what was going on. He loved it," O'Brien said. "He was so proud of fans and family. That's all he talked about. He did so much for people in Detroit that people didn't know about. Just a great guy. You loved hearing the joy in his voice."
O'Brien also recalled a memorable moment from early in his WCSX career: Reed coming into the station on Sept. 11, 2002 - the one-year anniversary of the Sept. 11 attacks - to perform "The Star-Sp...

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